Work
Selected work.
Series, posters and films – with the context they came from and the decisions that shaped them.
Shown here is personal, self-initiated work. Projects from employment or commissions appear only with explicit permission and correct credits.
(01)Independent work · Poster design, typography, art direction
The poster as visual culture
An ongoing poster series. Images that grab attention before they explain – and that people want to keep.
25 portrait-format designs, three of them animated
The starting point
In public space, countless posters compete for attention every day. Most of them look alike – and get overlooked.
The idea
Structure first, then tension. Every design grows out of grid, order and composition. Only once the framework holds do friction and impact come in.
The system
No poster stands alone. Each is part of a wider visual language that can be carried across formats, spaces and stories – from print to motion.
The attitude
A poster doesn’t have to say everything. It has to make people stop. Impact first, explanation second.
(02)Independent work · Film, cinematography, art direction
Film and image
Light, framing and rhythm. Film carries graphic thinking into space and time.
Films in landscape and portrait formats
The idea
Images create atmosphere and narrative. With light, framing and rhythm, visual storytelling becomes a tool for building presence and intent.
The system
Here, film is not a separate discipline alongside graphic design but its continuation: composition, grid and typography apply to moving images too.
The connection
When poster, motion and film follow the same idea, they reinforce each other.
What is still open.
Alongside the series, trials take shape: posters that move and graphic systems that step into space.
To the experiments